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There is, of course, much more to this game than videos starring a bald guy with a small beard. Long-running sci-fi has a habit of ending unsatisfyingly, but unlike, say, Battlestar Galactica (which, in music and in sets, C&C4 borrows hilariously liberally from) and its silly religious finale, this doesn't even try to give answers. Even so, this so-called conclusion will leave you thumping your desk and readying angry letters containing the repeated use of the word 'disgusted' as it comes to its final, woeful cutscene. If you've been following C&C story, in all its campy, contradictory and clearly made up as it goes along glory, since the early '90s, then you may not have the highest expectations of its storytelling ability.
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The supporting cast, all newcomers to the story and actors you won't recognise, are either a) annoying, b) terrible, c) constantly crying, or d) annoying, terrible and constantly crying.
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We get some more hints which simply repeat what's gone before, and a big dumb cliff-hanger which doesn't give any closure. EA promised us we'd find out who Kane is and what he really wants. This is the end of a long-running C&C storyline. His distractingly less-than imperious voice is just the final straw in a massive haystack of lousy production values and even lousier plotting. If anything, he's the only tolerable actor in this, who, in the few moments the script makes sense, tries to add a little subtlety to a character who's previously been a pantomime villain. Lest that sound a bit cruel, C&C4's failure to reach the heights of its predecessors is not face-of-Kane Joe Kucan's fault.